Tucked away in the bowels of the Brooklyn Army Terminal is a 4,000-square-foot warehouse filled from wall to wall and floor to ceiling with garbage bags. They contain castoffs from New York’s fashion studios: mock-up pockets ripped from sample jeans, swatches in next season’s paisley print.
There is denim here in every wash, spandex in every hue. Dig through one bag and it is possible to find a little rug of carmine-colored fur and yards of gray pinstripe wool suiting. In another, embroidered patches from GapKids and spools of ribbon in velvet and lace.
Nearly 6,000 pounds of textile scraps arrive each week to be inspected, sorted and recycled by five staffers and many more volunteers at FabScrap, the nonprofit behind this operation. Since 2016, it has helped New York’s fashion studios recycle their design-room discards—the mutilated garments, dead-stock rolls and swatches that designers use to pick materials and assess prototypes.
So far, the organization has collected close to half a million pounds of fabric from the design studios of large retailers like Express, J. Crew and Marc Jacobs and independent clothiers in New York, New Jersey and Connecticut. Their discards have been shredded and recycled into stuffing and insulation or resold to fashion students, educators and artists.
“So much waste gets created in the design process,” said Jessica Schreiber, the executive director of FabScrap. “But it’s the tip of the iceberg.”
As climate change has accelerated, corporations of all kinds have become increasingly preoccupied with their sustainability cred. Four-fifths of consumers feel strongly that companies should implement programs to improve the environment, according to a recent Nielsen study.
Clothing companies in particular have faced pressure to change, from politicians, protesters at fashion shows and shoppers of all ages who want to reduce their carbon footprints. The fashion industry is often erroneously cited as the second-most-polluting business in the world, but overproduction, chemical use, carbon emissions and waste are certainly issues it contends with.
Spinning a Sustainable Yarn
For a designer, cutting down on waste isn’t as simple as recycling a few bags of fabric every week. It requires overhauling the brand’s business model: forgoing seasonal collections; eschewing—or being rejected by—traditional retailers that accept only large orders and standard packaging; selling directly to consumers; and getting design teams to think about the sustainability and supply chain of each material and garment.
It’s hard to pinpoint how much waste is created before a garment even reaches the consumer. Factory waste is not tracked by outside agencies. Supply chains are now so complex and reliant on remote contractors and subcontractors that the companies can’t account for all the materials.
Even if a brand wanted to find out how much fabric waste it created, “it would be very difficult for them to research that, because different factories might have different processes,” said Timo Rinassen, an assistant professor of sustainability at Parsons School of Design.
Wendy Waugh, the senior vice president of sustainability at Theory and a FabScrap client, knew that determining the brand’s total waste would be a challenge. The company works with many different fibers, which are sourced from all over the world. The company’s “Good Wool,” for instance, comes from a farm in Tasmania and is scoured, spun and dyed at a mill in Italy before it is warehoused and sold around the world.
After a fiber is harvested and spun, it is sent to a factory where it is cut, dyed and trimmed. Reverse Resources, a software company that works with major apparel factories in Bangladesh and Sri Lanka, found that 20% of the fabric used in the cut-make-trim phase is ultimately thrown out.
Linda Greer, the founder of the Clean by Design program and a former toxicologist at the Natural Resources Defense Council, has advised many garment and dyeing factories in China. She said brands frequently reject fabrics because they don’t match the desired shade exactly.
“I’ve seen so many ‘weeping piles’ of miscolored fabric,” Greer said. “Sometimes they can touch it up. And sometimes they throw it away.”
Once a garment is complete, it can present another problem: excess inventory. In some cases those garments are incinerated, which prevents them from being resold at a discount, Rinassen said.
Last year, Burberry burned $37 million of clothing and cosmetics to maintain “brand value.” The previous year, H&M came under scrutiny after it was reported to have incinerated 60 tons of unsold merchandise.
Stephanie Benedetto founded Queen of Raw, an online marketplace for dead-stock fabrics and a FabScrap partner, after seeing how much manufactured material was sitting in warehouses ($120 billion worth, by her estimate). At that volume, she said, waste isn’t just environmentally irresponsible—it’s “a CFO issue.”
Sorting Through Scraps
Standing on the FabScrap floor, it is impossible not to feel overwhelmed by the enormous pile of trash.
Schreiber noted that the bags in the facility were “almost irrelevant in the scheme of what is probably generated.” None of the overstocked garments languishing in company warehouses are here. Nor are the huge quantities of fabric that are tossed from the factory floor.
Beneath the heap, seven volunteers slowly and manually sorted by material every scrap that came in. They inspected and removed labels and rubbed the fabric between their fingers. It could not have been further from the mechanized processes at a recycling plant, which employ feats of engineering—eddy currents, magnets and near-infrared scanners—to identify and categorize various types of metals, plastic and paper.
There is no technology in use that can detect the differences between, say, spandex and wool. “The infrastructure is lacking,” Schreiber said. “Like the fact that the sorting still all happens by hand is bonkers.”
The recycling processes are similarly decades behind. Today, there are a number of companies, like Evrnu and WornAgain, that are just beginning to recycle fibers, a process that involves shredding and dissolving the fibers into a pulp that can be respun into a new fabric.
Schreiber said that if clothing scraps were treated “as a waste-commodity stream, not a nonprofit-managed material, we would be further along in the tech.”
© 2019 The New York Times