The contemporary art scene boasts a vast repository of artistic talent that transcends fields, with new names entering the fray constantly. Sunday Guardian picks three noteworthy artists that showcased their work recently from the milieu.
‘Weathering Waves’ by Priyantha Udagedara
Hailing from Sri Lanka, artist Priyantha Udagedara’s work is inspired both by the Ramayana epic and his country’s natural beauty and rich history. Rooted in the juxtaposition of beauty and terror, his work invites viewers to contemplate deep political and social undercurrents. His latest exhibition titled ‘Weathering Waves’ was presented by Exhibit 320 this August-September and was his first solo exhibition in New Delhi.
The subject of this exhibition was the Ramayana, as the artist explored the various timeless themes depicted in this legendary tale within a contemporary context. “I enjoy creating a vivid portrayal of the forces of nature, as they reflect my deep connection to the natural world of Sri Lanka,” says Udagedara. He further adds, “I use my art to depict a new form of landscape, where the viewer is drawn in by a false sense of beauty. However, when viewed closely, the paintings tell a different story – one of fragmented human parts combined with splattered paint. This morbid juxtaposition of beauty, chaos and agony provides an altered story to the previously perceived sense of beauty.”
The works are visually attractive and intellectually stimulating, as they blend various elements together – mythical, spiritual, natural, romantic, and existential. He creates collages with newspaper and magazine cuttings with a focus on Sri Lankan flora and fauna. Pramodha Weerasekera, an interdisciplinary curator and writer based in Colombo, Sri Lanka, authored an accompanying text to the work which offered a deeper insight into the artist’s creations.
The founder of Exhibit 320, Rasika Kajaria summarised the appeal of his art, “We are proud to be the only Indian gallery representing Priyantha exclusively in South Asia. I have always had an interest in history and mythology, and Priyantha’s captivating works perfectly bridge the deep connection that our two countries share via the profound exploration and weaving of the narrative of the Ramayana. ‘Weathering Waves’ has been designed to allow viewers to visually gain a deeper understanding of the complexities that underlie our perceptions.”
‘Reincarnations, Ghosts of a South Asian Past’ by Samyukta Madhu
Artist Samyukta Madhu uses CGI techniques to create art that plays on the themes of feminism and futurism seen through a South Asian lens. She invites viewers to reinterpret the traditional ideals of South Indian beauty as seen from a futuristic digital context where technology and culture come together. The piece in the ‘Reincarnations’ series feature characters adorned with traditional symbols including kolam tattoos, phrases from Tamil scriptures, and futuristic jewellery. The exhibition was on display earlier in September at Collage, Chennai, which is the city’s leading curated lifestyle and fashion destination.
Madhu is based in both Berlin and India, and this was her first solo show in India. Excited to be showcasing her work in the country she grew up in, Madhu says, “As an artist, I’m fascinated by the intersection of tradition and technology. With ‘Reincarnations’, I wanted to explore how ancient beauty practices might evolve in a future where digital and physical realities merge. I aim to recreate a world where heritage and innovation coexist offering a new perspective on beauty and identity.”
Lata Madhu, the founder of Collage, spoke about the artist being the perfect fit for their brand, which is celebrating its 20th anniversary, “We are thrilled to celebrate our twentieth year by hosting Samyukta’s groundbreaking exhibition, ‘Reincarnations’. Her ability to fuse South Asian traditions with futuristic digital artistry aligns perfectly with our gallery’s commitment to showcasing innovative and thought-provoking works. As a space dedicated to the intersection of art and luxury, we believe Samyukta’s vision will resonate deeply with our audience, offering a unique and immersive experience.”
The artist’s larger-than-life CGI artwork installations, reaching an impressive height of 12 feet, were projected on the art deco walls of Collage, while the ground floor was transformed into a digital gallery. Explaining the intent, Madhu says, “The work imagines an alternate universe where India was never colonised, exploring how traditional beauty standards could have progressed with time and technological advancements. I aim to offer a unique narrative that revives and redefines ancient South Asian beauty in a new digital context, challenging conventional norms and expanding the boundaries of digital art.”
Apase by Jenjum Gadi
Known for fashioning beautiful and sustainable clothing, designer and artist Jenjum Gadi recently presented his debut art show. The work consisted of the solid brass fruits his hometown in Arunachal Pradesh is known for, in a bid to transform the existing into the extraordinary. Gadi has long been a prominent figure in the fashion industry, celebrated for his innovative designs that fuse traditional craftsmanship with contemporary style. His foray into art is a deeply personal one that reflects his roots and artistic evolution. ‘Apase’, his art exhibition, was presented at ‘Vayu – Design for Living’ at Bikaner House, Delhi this August – September.
The fruits that were the focal point of ‘Apase’, sought to encapsulate the beauty and richness of his homeland, especially those growing in his mother’s garden. The theme expanded on his love for nature that has thus far defined his career.
“’Apase’ is an emotionally resonant project that reflects my journey back to my roots. Through these brass sculptures, I’ve reconnected with the natural beauty of my childhood — the flora that I have been surrounded by — and the craftsmanship that has always inspired me. This exhibition is my way of preserving those memories and sharing the tenderness and collaboration that has brought this vision to life,” shares Gadi.
A deep connection to his past and a firm commitment to working with master craftsmen has always driven Gadi. Hence, this collection is cast from actual fruits and plants to showcase the detailed craftsmanship. For it, he worked with skilled jewellery artisans for months, shaping wax moulds to mimic each fruit. The moulds were then transferred to brass and polished to perfection to bringing the essence of the original fruit to life.
Gadi claims his creative evolution is rooted in his love for nature and his dedication to preserving traditional craftsmanship and ‘Apase’ is an important step in this journey.
Noor Anand Chawla pens lifestyle articles for various publications and her blog www.nooranandchawla.com.